in Aristotelian terminology, a change from ignorance to knowledge experienced by a protagonist, brought about by the events in the plot and resulting in a turning of the action. According to Aristotle, recognition is, along with peripety, the most potent means of securing the tragic effect. Furthermore, it is most effective when closely allied to peripety. (Prince 1987) Recognition follows the tragic error of the hero (hamartia). The most famous example is Sophocles's "Oedipus Rex". (Pavis & Shantz 1999) See also hamartia, peripety, [in a more narrow sense recognition or anagnorisis refers to a moment when] the hero is recognised. This is by a mark or a brand (a wound, a kiss on the forehead that had left a mark that the princess recognises). Recognition takes place after the solution of the difficult task, thus ensuring the greatest emotional impact. The detectives realise that the father was right and he is a real hero for having saved them all. (Hiltunen, 2002, p. 139)

in Aristotelian terminology, a change from ignorance to knowledge experienced by a protagonist, brought about by the events in the plot and resulting in a turning of the action. According to Aristotle, recognition is, along with peripety, the most potent means of securing the tragic effect. Furthermore, it is most effective when closely allied to peripety. (Prince 1987) Recognition follows the tragic error of the hero (hamartia). The most famous example is Sophocles's "Oedipus Rex". (Pavis & Shantz 1999) See also hamartia, peripety, [in a more narrow sense recognition or anagnorisis refers to a moment when] the hero is recognised. This is by a mark or a brand (a wound, a kiss on the forehead that had left a mark that the princess recognises). Recognition takes place after the solution of the difficult task, thus ensuring the greatest emotional impact. The detectives realise that the father was right and he is a real hero for having saved them all. (Hiltunen, 2002, p. 139)